The Ladybug Considers Her Own Portrait While Visiting the “Il volto del 900 expo” at Palazzo Reale, Milan

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It seems my theme lately is about my museum visits.  I feel like Ben Stiller telling you of my nights at the museum: this time it’s my visit to the Palazzo Reale’s Expo “Il Volto del 900. Da Matisse a Bacon” (The Portrait of the XX Century: from Matisse to Bacon) in February.

Again another great expo in Milan, and again I was not really into going to see it, I am not a fan of portraits, but the look and the perspective given by the expo was completely different from what I expected.

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More than 80 portraits and self-portraits arrived from the Centre Pompidou to present the evolution of the art of portraits during the XX century and how it changed based on the arrival of photography, psychoanalysis and the annulation of human identity due to wars and totalitarian regimes.

And as the face represents the door to the human being, the artists used their own and others to try to represent not only the person, but also to narrate the human soul in many different ways.

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Picasso, Matisse, Bacon, Modigliani, Giacometti, Dalì, Magritte, all the biggest ones’ contributions were exposed, but as usual I locked my eyes on my own personal favorites:

I adored Kupka’s portrait of the young woman putting on lipstick and Tamara de Lempicka’s Kizette portrait, as well as Raysse’s woman portrait and the very modern portrait of Noel McGhie by Rancillac.

For the occasion I wore an American Apparel long skirt, Asos aran cardigan, Topshop animal print coat. I paired it with Sam Edelman ankle boots, Balenciaga bag and vintage necklace and felt hat (my latest hat from Humana Vintage).

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