The Ladybug’s last “coup de cœur”: ROSEGAL!

On parle français aujourd’hui sur The Ladybug Chronicles!

Pourquoi ? Parce qu’il faut absolument que je vous parle de mon dernier coup de cœur de chez : leur Plus!

Vu mon style vintage j’ai toujours adoré les robes en dentelle : ça fait tellement classique, élégante, belle époque, un peu coquette et super sexy  au même temps…j’adore !

Le seul truc c’est de trouver la robe parfaite qui dessine bien notre corps sinon : moulante ou style tunique, longue ou au genou, noire ou blanche…bon, le côté positif est que moi qui suis assez difficile sur les robes en dentelle, j’ai trouvé des centaines de modèles sur leur site et j’en ai choisi deux à vous proposer.

Ils sont noir (pour moi la robe en dentelle est noire ou bleue !) et j’adore leur côté vintage un peu romantique et sexy ! Mais comment les porter ?

Je les ai imaginé avec du rose pâle comme ces chaussures pointues au style vintage et ce petit sac bandoulière que j’ai adoré !

Si vous voulez ajouter une dernière touche retro alors allez pour ces boucles d’oreilles super chic que vous pouvez aussi porter avec vos jeans (ainsi que le sac et les chaussures ci-dessus).


Vous êtes pas encore convaincues ? Voilà quelques photos pour vous donner l’inspiration ! Par example, pourquoi pas la porter avec un gros manteau ou un blouson en cuir ou encore des bottines à talons?


Comme on y est je vous fais aussi un petit cadeau….

Sur toutes les robes d’été on vous propose une réduction jusqu’à -65% en insérant le code RGFR lors de votre commande ! Profitez-en ! Et montrez-moi vos achats !


The Ladybug wakes up after a sweet dream of shoes, Luisa Tratzi shoes!


The Ladybug Chronicles Luisa Tratzi AW17 (8)

I’ve been a bit quiet lately: too much work, too many things to do and as usual when spring is coming I feel incredibly tired and I need to sleep a lot! For this reason I guess you won’t be surprised if I come back with a post talking about my favorite spot during the…Milan Fashion Week! I know it was a month ago but I needed time to tell you everything about the amazing Luisa Tratzi AW2017 shoe collection!


I needed time because it totally surprised me as it was a huge change. I’ve been following Luisa since her beginnings and every collection was a little surprise for me because she managed to give me always a new different idea of what beauty is when it comes to shoes. But this time I saw a more mature Luisa, daring with her creativity and making the most of every detail.

The Ladybug Chronicles Luisa Tratzi AW17 (1)

The Ladybug Chronicles Luisa Tratzi AW17 (2)

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First of all, shapes: I was amazed to see a lot of ankle boots in her new collection; it is my favorite piece and hers are just incredible; cut-outs, Plexiglas details, new shapes and length of the heels, bows, buckles…the collection is so creative and strong, so much more feminine if I can say so!


Second thing, materials: soft leather is a label mark as well as shiny patent but the new pieces in soft suede added something more to the collection! My favorite piece was indeed the navy suede ankle boot that I held in my hand…it was just perfection!

The Ladybug Chronicles Luisa Tratzi AW17 (4)

The Ladybug Chronicles Luisa Tratzi AW17 (6)


Last but not least, colors: AW collections are sometimes more boring than SS because it usually turns around a few main colors (basically black and brown) but Luisa dared color-blocking (orange and purple) and pale pink also in winter plus all shades of blue, red and burgundy.


I really adored this collection, it was so powerful that her temporary shop in via Solferino during the Milan Fashion Week was absolutely glowing!


For more information you can visit her site

The Ladybug Chronicles Luisa Tratzi AW17 (7)

The Ladybug Chronicles Luisa Tratzi AW17 (5)


The Ladybug enters the enchanted world of Antonio Marras (Nulla Dies Sine Linea)


I started 2017 with great “firsts”: the first movie of the year (Collateral Beauty), the first book of the year (Rodolfo Walsh stories), the first shopping of the year (a beautiful and warm jacket for half of its price). So was my first exhibit of the year: Antonio Marras’ Nulla Dies Sine Linea at the Triennale in Milan.

I visited the exhibit at the beginning of January, on a cold Saturday afternoon and I loved it since I came in, passing through a series of hanged white shirts and black jackets with attached bells  as so wanted the artist.

The artist is Antonio Marras, one of my favorite designers ever, whose fashion showroom and artistic space (Spazio Marras) is one of my favorite corners in Milan (I visited it recently for the wonderful Malick Sidibé photography exhibition). I have always loved his fashion and I have always considered him as one of the most innovative and creative talents in Italy. I have been following him since he was an “emerging designer” because I was stunned by his fashion art and I have been loving him since then.



I wasn’t surprised to find out that he was also an incredible artist. Nulla Dies sine Linea is a tribute to his life and career but also to the artist more than the designer. Fashion is everywhere but the exhibit is a totalizing journey into his world. From paintings to sculptures and installations, the atmosphere is relaxed, the lights are soft, the music delicately brings the visitor inside Marras’ world. There is no filter and the personal reaction is crucial. There is life and death, light and mystery, sex and fashion. Old doors and furniture often surround the installations and when you cross them you have the incredible feeling of entering something private, enveloping and fascinating, involving all of your senses.

I adored this touching journey and I fell in love with Antonio Marras even more as I discovered a lot more about his art and I was captivated by its amazingness.

I wore a Blauer green parka, Acne Studios black skinny jeans and Replay biker boots.



The Ladybug and the fitting slipper: I found my perfect shoes at Luisa Tratzi AW2016 presentation

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I came back to Milan just in time for the presentation of Luisa Tratzi AW2016 collection during the Fashion Week. This happened in a new location in the lovely area of Brera, near via Solferino and via Castelfidardo, a lovely corner of Milan that I was seeing for the first time (and that I used for a quick photoshoot!) in a beautiful sunny day; in this warm and welcoming space that I would define like in the middle between a shop and a showroom, Luisa’s shoes from new collection AW2016 and current SS2016 were everywhere, leaning on mirrors, with their incredible colors and shapes.

A tribute to the power of the perfect heels on a perfect day!

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The Ladybug Chronicles Luisa Tratzi shoes (1)

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When I received Luisa Tratzi’s invitation I immediately asked myself: what did she invent this time? I am a huge fan of her talent and creativity!

Well, here is the answer…and the truth is that she manages to surprise me all the time!

This time she invented the sexiest cut-outs ever for sandals and ankle boots, the most feminine heels ever, the softest suede, the warmest and brightest colors; the perfect powder pink ankle boots; the amazing drops’ effect on black leather, the best Italian quality and, as if this was not enough, she killed me with the best shoes ever: a pair of Magenta heeled cut-out pointy shoes (also available in black patent…pure ecstasy!).

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The Ladybug Chronicles Luisa Tratzi shoes (5)

How do you know that a pair of shoes is your feet soul mate? Easy: my head and my feet never left them and kept thinking of them all the time even after more than 10 days; I received messages from readers asking about those amazing pair of shoes when I posted them on social medias; all my female friends-colleagues asked about them; even male friends and colleagues (usually not very interested in these topics) admitted that those shoes, hey!, they were freaking sexy; they were incredibly sexy and absolutely comfortable at the same time…what else do we need to know that this is real shoe-love?!!

My lovely Cinderellas, you can find a selection of my favorite pieces here and if you are too tempted you can still visit of find Luisa Tratzi con Facebook, Twitter and Instagram!

I wore Zara silver sweater, Imperial blue trousers and, of course, Luisa Tratzi shoes.

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The Ladybug Chronicles Luisa Tratzi shoes (6)

The Ladybug and the White Shirt, the story continues: discovering Balossa SS2016 collection at White Trade Show

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During the Milan Fashion Week one of my favorite stop-overs is the White Trade Show: I love this place not only because it gives you a forward-looking idea of what will be on next year but mostly because you discover many new interesting brands. In fact when I get back home I have my bag full of business cards and I spend a lot of time online to visit sites, Facebook and Instagram pages!

​But it is also an occasion to visit some of my favorite brands and to see which surprise they prepared for my little happy eyes! It was the case of my adored Balossa White Shirt, one of my favorite brands ever (especially because they have wonderful handmade shirts, that I adore, but this you already know!) founded by the talented designer Indra Kaffemanaite, who presented the new SS2016 collection a few weeks ago at White Trade Show in Milan.

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The Ladybug Chronicles Balossa White Shirt (3)

The Ladybug Chronicles Balossa White Shirt (4)

As usual it was a pleasure to meet Indra because she is such a sweetheart and she takes a lot of time explaining every single piece with such a passion that you feel like falling in love every time she takes a new shirt from the hanger. But I have to say that the 2016 Spring Summer collection managed to amaze me maybe even more than the last one, when I first met her. The beautiful shirts of this collection reach a new level of deconstruction leading to new experiments and breaking the rules in a totally unexpected way. Balossa plays with volumes and lines creating real art sculptures with surprising details: cut-outs, draperies, asymmetries and the most original detail, sleeves and collars everywhere except where you expect to find them! You can find sleeves as belts or pussy bows, collars as pockets (or inside pockets) or as details all along the shirt, shirts as dresses or jackets: the freedom of creativity is strong and refreshing. Eccentricity becomes sensual and bold at the same time.

Every Balossa shirt is a statement piece!

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The Ladybug Chronicles Balossa White Shirt (7)

The Ladybug Chronicles Balossa White Shirt (5)

The shirts of this collection are made with selected Italian cotton, so that they are soft and fresh (a real pleasure to wear) with a touch of sheer every now and then. White is the main color but the new shades of blue and pale pink are perfect for summer (I am really in love with the blue shade, very hard to find and extremely sexy).

I am not surprised that during the White Trade Show, Balossa received the Inside White award from Izumi Ogino, designer of the maison Anteprima. She chose Balossa because of their shapes, cuts and volumes that represent a perfect mix of Italian and Japanese styles. I can’t agree more with her!

I try to show you some of my favorite pieces here but believe me, it was very hard to pick up only a few of them!

For the day I wore a Balossa asymmetric white shirt, of course!, with Acne Studios skinny jeans, vintage Escada yellow shoes from Epiphany vintage and thrift store in Frankfurt, handmade African earrings and Balenciaga bag.

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The Ladybug Chronicles Balossa White Shirt (1)

The Ladybug’s best discovery of 2015: Heka Couture!

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You know I love collaborations because they always mean double talent (when there is talent on both sides!) or at least double creativity and double effort. If you think about that many successful brands are created by couples: Dolce & Gabbana, Viktor and Rolf, Marchesa, Peter Pilotto, Proenza Schouler, DSquared2 and many others.

I don’t want to fly too high but some time ago I was introduced by my friend Ilaria, founder of Madame Ilary, to Gemma Vernò, founder of Gemma Vernò Hats, one of the greatest milliners that I have met so far.

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The Ladybug Chronicles Heka Couture (1)

The Ladybug Chronicles Heka Couture (6)

I love their work and I am a huge fan of their incredible handmade pieces, so you can imagine my joy when Ilaria told me that they were about to launch a new brand together with only handmade pieces and the best Italian quality regarding fabrics and cuts. The new brand is called Heka Couture and it was launched during the Milan Fashion Week at the Eivissa store in Milan with a lovely party where, together with Gemma and Ilaria, Eivissa’s owner Laura and my friend Simona we played the models wearing our favorite pieces from Heka Couture.

I try to show you as much pieces as possible but the collection includes hats, turbans, jabots, collars, culottes, waistcoats, dresses, jackets, skirts and trousers to die for! The shades are basically grey and black with some white every now and there, just to face the upcoming winter season in perfect style.

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The Ladybug Chronicles Heka Couture (2)

The Ladybug Chronicles Heka Couture (4)

The cuts are vintage inspired (one of the reasons why I loved them so much!) but the shapes are always essential; the use of top quality fabrics like lace and velvet add a sophisticated touch.

We tried to style some of our favorite pieces like the lace collar, the long waistcoat and the incredible hats and turbans, the coordinated tops and downs and the wonderful long dress worn by Laura.

Simona and I also wore a skirt and a bow jabot from Madame Ilary; I added Dixie black culottes, 8 brogues and Zara white shirt.

You can find Heka Couture on Facebook (you can contact Gemma and Ilaria privately) or at some pop-up events in Milan that I will definitely mention on my Facebook page! So follow us both there 😉

The Ladybug Chronicles Heka Couture (8)

The Ladybug Chronicles Heka Couture (7)

The Ladybug devours the Magic of Armani | Silos

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The 3rd of May, two days after the opening of the EXPO 2015 in Milan, another very important expo was inaugurated: Giorgio Armani decided to celebrate 40 years of his wonderful career by offering to Milan what the New York Times defined as “the place to be” – the Armani | Silos.

This museum, located in the Tortona area, celebrates the history of “King Giorgio” by offering 4500 square meters, consisting of four floors, of amazing creations from the ’80s to now in a surreal yet enveloping atmosphere.

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The mayor of Milan defined it as a gift Armani offered to the town in order to demonstrate his love for the city, and believe me it really is!

The building is an old silo used for storing food and Armani decided to leave the name as it represents the way for fashion to be “nutrient” for the soul. The architecture is spacious and the game of lights are absolutely amazing. Not to mention the music: it’s a perfect accompaniment for the visitors.

The selection of the creations exposed doesn’t have a chronological order, but it tells the story and the most representative pieces of the Italian designer. Every floor represents a leitmotif that inspired or keeps inspiring Armani’s art work.

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The ground floor is dedicated to men and women daywear- with a huge selection of men and women suits, especially from his latest collections, coats and day dresses with a huge prevalence of grey and camel tones.

But the more you climb the floors, the more you will be amazed and in awe.

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First floor, I guess my favorite one: it’s completely dedicated to Armani’s exoticism: it collects all his pieces inspired by faraway lands, from India to Japan, Northern Africa, to Spain and the Far East. It is a blossoming of flowers, colors, embroideries, sequins and sparkling pieces… I spent most of my time there! In the middle of the floor there were also a collection of clutches, shoes, jewelry and accessories that will make you fight the simple desire of touching them and try them on!

The second floor is dedicated to Chromatism: the colors are darker. Stripes appear on night gowns, cocktail dresses and jackets and Armani’s use of black is surprising and thrilling. Even in the dark the embroideries sparkle and the cuts are amazing. A lot of black and white, red, electric blue, navy blue and many more “vintage” pieces coming from the ’80s!

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When you reach the last floor, you can really say that you have seen the light! Light is, indeed, the inspirational theme for the last floor. There, you can be overcome by the sparkling of wonderful embroidered gowns and two pieces- from gold to silver. It is a jubilation of pure ecstasy and fashion perfection!

The floor also hosts a video room and a digital archive with more than a thousand outfits selected by category and collections.  It features more than two thousand pieces and accessories, sketches, backstage and catwalk videos, photographs from the advertising campaigns.

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On the ground floor you can also find a gift shop, a cafeteria and the installation “Stars,” a red carpet leading to a big screen with images of all the celebrities wearing Armani.

As for me, I wore Imperial red pleated shirt, Amelia Verona trousers and Zara flats with a vintage touch: round sunglasses by Oggetti Smarriti, red quilted bag by Frendo Vintage and headband by Traffic People London.

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The Ladybug Rallies the Army of White Shirts (“La camicia bianca secondo me”, G. Ferré)

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For how surprising as it may seem, I am not a huge fan of fashion exhibits: most times I leave them with a huge sense of disappointment. Maybe because the perfection I see within “style” is very hard to find nowadays, maybe I’m too nostalgic about an era that I will never live or I just feel that I could never wear these pieces in my life; whatever it is, I can’t explain it… But still, I go to fashion expos and mostly because I simply won’t begrudge the invitation in hopes of an exceptional case of true “fashion.” The exhibit held in Palazzo Reale, “ La camicia Bianca secondo me” (the White Shirt in my opinion), was a sort of anthology of the white shirts designed by Gianfranco Ferré, and this ladies and gentlemen, was one of those exceptional cases.

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Ok; maybe I didn’t leave with this slight sense of nostalgic disappointment, but it was really worth a visit.

When you enter the wonderful Sala delle Cariatidi and see this twenty-seven white pieces standing like soldiers in the dark- illuminated with white lights you can immediately feel a sense of excitement for what you are going to see. And it is just the beginning: every piece tells a story of magic. It is really hard for me to explain with words what I saw and what I felt. As I read somewhere online “It is here that taffetas, crepe of China, organza, satin, tulle, cotton, silk come in succession in an emotional crescendo that leads to ecstasy.”

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As I am not good enough with words to describe these wonderful creations, I thought that sharing some of my pictures might help!

The white shirt is maybe the most representative piece in Gianfranco Ferré’s fashion career. The sophisticated white shirt quickly became his personal signature in fashion design: in every collection he created one or more pieces that, even representing the fil rouge that linked his work with the Italian sartorial tradition, expressed the exciting challenge of breaking the rules, exaggerating the details in quite an architectural way (Ferré was indeed an architect and he was dubbed “the architect of fashion”).

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On the sides were all of the materials from the archive of the Fondazione Ferré, including original sketches, projects and phptographs from the runaways and fashion magazines.

For the occasion I wore a vintage white shirt from Vintage Divas Store in Ljubljana, Replay grey jeans, Topshop animal print coat, Tosca Blu ankle boots and my small Balenciaga bag. I added a handmade black headpiece by Madame Ilary from my turban collection.

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The Ladybug Chronicles - Gianfranco FerrŽ 10

The Ladybug has Her Head in the Clouds: Introducing Balossa at White in Milan

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Fashion week recently concluded; a low point for me since I was super busy, making it hard to attend all the events and shows. But I took advantage of last weekend to head over to some presentations I was invited to check out.

First of my Saturday morning Fashion Week-end was the White Show in Milan to meet the emerging brand Balossa.

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Before meeting the beautiful and talented Indra Kaffemanaite, the designer and owner of the brand, I did some research online to get to know her better, and when I landed on their site ( I completely lost my mind. Fell in love. Badly. Totally. Completely. Desperately.

She is a shirt designer. Shirts… Yes, only shirts and mostly white. But calling her creations just shirts is seriously understatement: they are artistic creations, they have an architecture that sometimes look like origami or paper sculptures… other times white birds or dancing ballet dancers. These shirts have movement and dimensions. They are dynamic, fluctuant… aerial.

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The Ladybug Chronicles - Balossa 01

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When I saw them in person I fell in love even more, if that was possible! You know my love for white shirts mostly because they are the easiest way (yet super chic) to pair with vintage pieces in daily wear (at work essentially, like I do). But I’ve always seen them as a vehicle, if I can say like that, to introduce vintage without shocking too much (I call it “I’m being myself, but I am a team player” attitude!). Balossa’s FW2015 collection just opened my view on white shirts because the attention was all on the shirts! Not a vehicle, but a real statement: I wear a unstructured shirt therefore I am! There is no space for other pieces when you wear a Balossa shirt!

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This is what happened with Indra Kaffemanaite, the soul and incredibly talented designer behind this brand of these amazing shirts: this is her first collection and she told me that after working with a Japanese designer, she completely changed her mind about the white shirt and started imagining and designing these wonderful pieces of art that you can find and buy on their site. She told me that for her the white shirt continues to be the most surprising piece ever: it is practical, easy to wear, sexy and cool- but she gave an honest new life to our favorite piece!  Vintage in a completely new and modern version!

Green light to a new style made of volume, games and artistic details… modern lines, asymmetries, draperies, cut-outs, plunging necklines on the back, softness and sculptural, Balossa shirts that can be formal or sporty, but always incredibly sexy with great personality.

How could I resist? Of course, I’ve already chosen my first Balossa, can you guess?




The Ladybug Meets the Legend – the Myth, Bettina: Supermodel of the 1950s

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A few months ago I decided to head to Galleria Carla Sozzani in Milan during a lunch break with some friends, all passionate about fashion, to meet Bettina (the supermodel of the ’50s) to whom the gallery dedicated a special expo a few months ago.

Let me admit my ignorance: I had no idea of who she was, but I was intrigued by the beautiful image on the flier. So, I decided to find out more about her before visiting the expo and what I discovered was this: Bettina was the most celebrated and sought after model of fashion magazines of the ’40s and ’50s, and “the most photographed French woman in France” according to Paris Match. She indeed represented the classy and chic French couture of her era and in 2010 she was awarded France’s Chevalier des Arts et des Lettres.

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Just saying she was the most photographed woman was one thing, but this is a claim that can nearly be authenticated. I was stunned at reading the names of the photographers who photographed her in the past: Henri Cartier-Bresson, Irving Penn, Robert Doisneau, even my adored Gordon Parks during his fashion years, and those are just my personal highlights.

She soon became, “Bettina the top cover girl in France.” “She did a great many photo shoots for the world’s top fashion photographers. Even Henri Cartier-Bresson photographed her in an informal setting. At the request of Irving Penn, for whom she had already posed in Paris, Vogue invited Bettina to the United States. Muse to Jacques Fath, Bettina was at the core of the dazzling world of post-war couture in France then being created by Jacques Costet, Lucien Lelong, Hubert de Givenchy, Christian Dior and Coco Chanel. (…) In spite of her retirement from her career, Bettina went on working in the fashion world, for example, as “ambassador of style” for Elle magazine in 1963, or as art director for Emanuel Ungaro and press agent for Valentino. Fashion is always her passion, and she still follow and promote it; her personality engages new designers and photographers like Azzedine Alaia, Yohji Yamomoto, Pierre et Gilles, and Mario Testino” (The Eye of Photography).

I was amazed by her beauty and class in the beautiful photographs exposed at the gallery and I was tempted to buy the “Bettina” catalogue with all the amazing pictures shown at the exhibition.

So… if you don’t know about her, and aren’t able to follow up visiting the expo (which finished in November), take some time to discover this timeless beauty and learn the essence of French chic style from the beautiful Bettina!

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